Thursday, December 17, 2015

Final Project Ceramics as Installation hanging works and more

 Olumide Adeyekun

Jenine Erdaide 




 Heera Choe


 Garyne Dossous 

 Rosa Stacy Victorio 

 Mona Elabasy 


 Amalia Sanchez


 Reyin

 Anika Nabila 

 Dielka Maria Cueto 

Dorrelle Caine 

 Kidany Cabrera 



 Yolanda Rosario

 Paula Ortigoza



 Stephanie Rodriguez


Brian Reidy 

 Alexis Vazquez

Viviana Landro

Friday, December 4, 2015

Final Exam Terms and Definitions

  1. Clay - a natural material that is plastic when wet, consisting essentially of hydrated silicates of aluminum. Al2O3·2SiO2·2H2O
  2. Slip - clay mixed with water to become a thick, smooth liquid.
  3. Score - to indent a rough texture into clay, usually by crisscrossing lines. Used to join clay together.
  4. Pinch - a method of clay forming using a ball of clay and applying pressure with your thumb and index fingers.  
  5. Coiling - a method of clay forming using slender tubes of clay by putting one on top of another and pressing them together.
  6. Slab - clay that has been flattened by rolling or throwing .
  7. Underglaze -  colored clay that is applied to greenware
  8. Glaze - an impervious layer or coating of a vitreous substance which has been fused to a ceramic body through firing. Can serve to color, decorate or waterproof an item. Glaze is applied to bisque ware (can be thought of as glass-forming compounds in a liquid suspension).  
  9. Wedging - a procedure for removing air from a clay body by hand: the lump of clay is repeatedly pressed down on a work bench; between each operation the lump is turned.
  10. Bisque - Pottery that has been fired but not yet glazed.




NEW:

  1. Engobe - a slip coating applied to a ceramic body for imparting colour, opacity or other characteristics.
  2. Bone dry - the final stage of greenware dried to a completely dry state and ready to be fired. In this stage, the clay is very fragile, non-plastic and porous.
  3. Kiln - a furnace for the firing of ceramics.
  4. Quartz inversion - an expansion that occurs during firing at 573°C (1063F).
  5. Sgraffito - a decorating technique where a slip is applied to clay and then scratched away revealing the contrasting color underneath.

This is how the final project will be broken down and graded

The final project, the hanging installation project, is worth 25% of your grade (or 25 points). To make things transparent, I have put how I am grading your projects below. There are four sections of which I am grading, if you think of your project in terms of percentage, then each section is worth 25% of your project. Each section has parameters and the max you can get in each section is 6.25 which four times is 25 points (or 100%), scoring high in on section will not preclude you from scoring low on another.

REMINDER - All of your assignments were broken down into a points system based on the percentage of your grade it was to make it easier to calculate your grade yourself.


ELEMENTS OF DESIGN: TEXTURE, COLOR, SHAPE/FORM, SPACE
PRINCIPLES OF DESIGN: REPETITION, BALANCE, EMPHASIS, CONTRAST, UNITY

6.25:  Planned carefully, made several sketches, and showed an awareness of the elements and principles of design; chose color scheme carefully, used space effectively.
5: The artwork shows that the student applied the principles of design learned in class while using one or more elements effectively; it is evident that space was considered.  
3.75: The student did the assignment adequately, yet it shows lack of planning and little evidence that an overall composition was planned.
2.5: The assignment was completed and made, but showed little evidence of any understanding of the elements and principles of art; no evidence of planning.  Ex: works not fired/painted/finished, rough edges.
1.25: The student did the minimum or the artwork was never completed. If the work is not hanging, even if it is designed to hang, this is the score you will receive.  


Creativity/Originality

6.25: The student explored several choices before selecting one; generating many ideas; tried unusual combinations or changes on several ideas; made connections to previous knowledge; demonstrated understanding problem solving skills.
5: The student tried a few ideas for selecting one; or based his or her work on someone else's idea; made decisions after referring to one source; solve the problem in a logical way.
3.75: The student tried an idea, and completed the assignment adequately, but it lacked originality; fast, sloppy works that were the easiest, most obvious choice.
2.5: The student fulfilled the assignment, but gave no evidence of trying anything meaningful and challenging to them.
1.25: The student showed no evidence of original thought.


Effort/Perseverance

6.25: The project was continued until it was as complete as the student could make it; gave effort far beyond that required; takes pride in going well beyond the requirement. Came to open studios to complete work.
5: The student worked hard and completed the project, but primarily within the constraints of classroom time; with a little more effort it might have been outstanding.
3.75: The student finished the project, but it could have been improved with more effort; adequate interpretation of the assignment, but lacking finish; chose an easy project and did it indifferently.
2.5: The project was completed with minimum effort.
1.25: The student did not finished the work adequately.


Craftsmanship/Skill/Consistency

6.25: The artwork was carefully and patiently done; it is as good as the students skill level allows.
5: With a little more effort, the work could have been outstanding; lacks the finishing touches, looks rushed, rough, cracking.
3.75: The student showed average craftsmanship; adequate, but not as good as it could have been, a bit careless.
2.5: The student showed below average craftsmanship, lack of pride in finished work.
1.25: The student showed poor craftsmanship; evidence of not taking the project seriously and putting in the time and effort to complete it properly.